Deceptions Twin

Comments & reviews · 5
Note: You are not logged in, but you can still leave a comment or review. Before it shows up, a moderator will need to approve your comment (this is only a safeguard against spambots). Leave your email if you would like to be notified when your message is approved.

User avatar
Deifyance
Review

Awesome story! good job.

Content was awesome, looks like a perfect or close to perfect start to a nice nasty plot.

Only thing is watch out for that detail. Lots of detail is good, but lots of detail in one scene and none in another is not that attractive. Im not saying you have done that its just a helpful reminder.

You may want to add a bit more detail though.

And i think thats all!

Awesome job! please please PM when you get more chapters up.

User avatar
ANate145
Review

Hi, I'll review you today! :D

First of all, thoughts.

Where the hell am I?
This should be italizied. I'll not mention that anymore.

Cool water lapsed against her feet uncomfortably, making Faia shiver.
Cool is more of a comfortable term. I'd switch this to "Cold" or "Freezing". You could also remove "uncomfortably".

Her heart was pounding away in her chest with panic. She rarely felt panic. Her life was so peaceful.

Delete one of the "panics". It was a bit repetitive. Also, as Rosey pointed out, the life of a warrior is not peaceful.
“Don’t fall into the fire,” whispered the rasping voice right beside her.
You've used "rasping" already. You can nix it, because you only need one really good description. Also, you've already said the voice was behind her. Describe her movement, or the movement of the voice. That can be done easily in one sentence, like, "She felt a wind as the voice appeared to move."

Your lucky I’m in a good mood today. If you said that to anyone else, they would have beat you.” There was no reply.
At the beginning of this sentence, you used "Your". It should have been "You're", meaning "You are." That happens a few times, but I'll only say it once. Every time you see that, ask yourselk if you could use the words "You are" instead.

“Sorry Dracov!
Comma there. :D



I like this story! It's got a very good fantasy element, with good characters, settings, and plot. Please PM me when you write more! :D

User avatar
Rosendorn
Review

Hiya Faia! I'm Rosey, and I'll be reviewing this work today.

Where the hell am I?


~ Since these are her thoughts, they should be in italics.

~ I'm not to fond of seeing "hell" in fantasy. "Hell" is a rather Earth-bound term, with Christianity and all, so seeing it in a fantasy where there is no Christianity is jerky. That goes for your use of "hell" throughout the work, as well as "damn," since that's another Christan thing. (Note- I won't be pointing out all the swearing in here, just because there is a lot. Almost too much)

Her life was so peaceful.


If she's trained as a warrior, how can her life be peaceful? Since women were rarely allowed to be warriors, I'd think her life is pretty threat-ridden if she's trained as a warrior.

She tensed, surprised. She was always “Faia of Clory.”


With that first line, you seem to imply that she's had other names.

She didn’t strike anything, but air.


This comma isn't needed.

I forgot that we’d been caught.


Thoughts again. Every time you see "I" in a line, since this is third person, you need to put those lines in italics. (This will be the last time I point that out)

“Real.”


You could loose the quotes around this line. They aren't needed.

She’d been out keeping watch at Ticopa Bridge with Gath and Shio earlier that day and been attacked by bandits. They had taken Shio hostage, making Faia and Gath surrender their weapons with Shio’s life in mind. They beat Shio severely and knocked Faia unconscious.


I'd make this description have slightly shorter sentences, so it's not so hard to read.

She woke up to find herself blindfolded with her hands bound in what she assumed to be a cart.


You just said she'd been blindfolded in the paragraph beforehand.

“They clubbed me in the head pretty hard. Other than the fact that speaking hurts, my head feels like it’s going to burst open and my stomach is doing laps, I’m fine. You?”


~ If speaking hurts, why is he talking so much? (And, why is she talking so much, for that matter)

~ I'm not completely sure who's talking. Add a tag to this line so we know.

She’d heard it in history class in Clory, her home town, but she’d never payed much attention.


I'd explain why they have school in a town, and why a girl is attending it. Back in the day, private tutors would only educate the upper-class.

It wasn’t perfect Shalan and held an accent Faia wasn’t fully knowledgeable of.


In this line, you imply that Shalan is the main language of the land. I'd clear that up, so we aren't left wondering what each language means.

Faia had been drifting in and out of consciousness for a while now. She was no longer on a cart now.


"Now" is a bit repetitive here.

She opened her eyes slowly this time, aware of the sunlight this time.


"Time" is a bit repetitive here.

She was no longer blind-folded,


This line was implied by the fact she was blinded when she opened her eyes. You can nix it.

even her leather hunting vest. Her arm and shin guards had even been taken as well


"Even" is a bit repetitive here.

which was slowly raising and falling and Faia sighed out loud.


I'd delete the "and" here and replace it with a period.

If her shoulders weren’t in so much pain, she would be able to undo her bounds with no effort at all.


When she gets out, it seems to be no effort. I'd add on to the description of her getting out (making it seem more painful), so this line doesn't seem to redundant.

She could feel her blood pulsing through her as her arms began to regain feeling and the pain began to diminish.


This is a problem I've noticed in the second part (when she's in the cell). You use long, rather hard to read sentences. Loose some of the "and"s and other connective words so things are easier to read.

Moving her arms and hands slowly, her arms regained


"Arms" is a bit repetitive here.

Pushing herself up, Faia crawled over to Gath. “Oi! Come on sleepy head, wake up,” said Faia, her voice uneven and scratchy.


This line is what I call "double tagged," which is when you have a description of the person speaking before and after the dialogue. I'd put the dialogue on a new line, just so that doesn't happen. ^_^

Buck up, Faia.


I believe she's telling this to herself? If that case, it's a thought. *Points to nit-pick about about thoughts*

He wasn’t as hurt as she had been led to believe.


Where had she been lead to believe that he'd been hurt badly? (It really feels like I'm missing something there...)

To avoid that, add in more explanation before.

She smiled to herself and let his head fall back onto his chest.


I don't think "Fall" is the right adjective here. It implies that Faia doesn't care if his already banged-up head gets banged around more, when you've told us that she does care. Replace the adjective, please. ^_^

She reached up and stated


"Started"

Not expecting to find anything, she looked around the cell for something to staunch the bleeding.


The order of these phrases feels off. I'd rewrite is as: "She looked around the cell for something to stop the bleeding, not expecting to find anything."

The italicized word is where I fixed a typo, btw.

around Gathious’s head


Since you called him "Gath" before, seeing his full name is a bit confusing.

*Since this work is a bit long, I'm going to stop my nit-pick review here. The recommended length for literary works is 1,500*

Sentence Lengths: A lot of your sentences in the cell scene were a bit long and hard to completely understand. At the moment, you need to read things twice to completely understand everything. Try to limit sentences to only two ideas. That way, readers can understand things more.

Realism: You're pretty good at having the world seem "natural" to the characters. That means they live their lives and they don't seem to know anything different. But, natural to the characters isn't necessarily natural to us. When a reader picks up a fantasy book that seems to be set in the Middle Ages, they expect ladies to stay at home, education to be poor, and a bunch of other stuff. Do some more research into what happened during the Middle Ages, and then add in whatever explanation/alteration that is needed.

I was put off by the amount of swearing in here. It's not so much the amount, but the words used. Since they are Christan in origin, and this world probably doesn't have Christianity, it seems like a bad mix.

The way people move and talk here, with injuries, feels a bit wrong. Readers begin to think that they're not hurt so badly if they can talk a lot if talking is painful, and they can get out of bonds while their shoulders hurt. Try to dig up some facts on the subject so your characters feel less super-human.

Overall: I enjoyed this! The plot flowed well and the writing style was smooth. There were some issues, but this idea has a lot of promise.

PM me if you have any questions, or if you want to ask about the norms for the time period.

~Rosey

You have a two different types of Point of View's. First person and third person limited. You got to stick to one point of view or it will distract you reader. Aside from that though it is written really well. The only problem I have is that it is written to averagely. Not the word choice, sentence structure, etc. But it just reminds me of other authors. Especially Herbie Brennan author of the Faerie Wars Chronicles. It is both fantasy and maybe that is why. But you and him have a very similar writing style. I like the way Ellen Hopkins writes. She wrote Crank, Identical, Glass, etc. (I don't know if you know what certain authors wrote ,so I include that in there.) :D



I hope that when I am gone, someone still reaches for me like I reach for them
— Leya